The Kyrgyz have a proverb which goes, “Balaluu üi bazar; balasyz üi mazar”: “When there are children, the house is a bazaar; When there are no children, the house is a cemetery.” Although intended as an admonition for people doubting whether they want to become parents, it’s equally fitting as a warning to governments about the dangers of limiting the freedom of the press.
However, what Julian Assange and Johannes Wahlström seem to have discovered in their new film Mediastan is that there are, and shall always, be limits to the press – the expected political, legal, and financial limits, but also cultural, cognitive, and ethical limits. And as they endeavor to argue in the American context, it’s also dreadfully easy to mistake a mazar for a bazaar.
I’ve been asked by WikiLeaks-Press.org whether I have any reactions to the film. They came to me because a little over two years ago, I published an academic essay about WikiLeaks’ complicated impact upon the region. I’ve decided to take this as an opportunity to update some of the things I said therein, as well as to articulate what I imagine will be the view on Mediastan from within Mediastan itself.
Today is Kurman Ait (Eid al-Adha), the Feast of the Sacrifice in the Muslim faith. It’s a universal holiday commemorating the necessity of sacrifice in the name of one’s beliefs and for the sake of the greater good. So, I suppose it’s an appropriate day on which to pen this review, since journalism should be, first and foremost, about such self-sacrifice.
In the spirit of sacrifice, then, I ask viewers to spend their hard-earned dollars, euros, rubles, tenge, etc. on Mediastan, rather than waste them on the Hollywood spectacle The Fifth Estate. In the least, reviews of the latter indicate that you will have a much more meaningful experience from the former. And even if you strongly disagree with Assange and his belief system, you should nonetheless trust the Kyrgyz proverb: ultimately, it’s definitely better to have those noisy children from WikiLeaks in the house than not.
But no matter which film you choose to see, keep the critical faculties of your cerebral cortex activated. For instance, Mediastan has been criticized as anti-American “agitprop” and biased by some, but this is an empty and facile criticism. The entire purpose of Mediastan is to raise questions – certain questions that arise from a certain perspective, yes, even a certain bias.